Three different styles sound impression available by change the nozzles, Black Nozzle for Balanced sound, Gold Nozzle for Strong Bass like Pop DJ, Silver Nozzle for detailed treble like Vocals.

Its got enough presence to appear rather muscular, with great physical presence that gives it the right amount of oomph.

The BGVP DMS take the DMG, make a hole in them (literally) and provide the listener with a better balanced, more neutral signature.

This makes them more attractive to those who found the DMG too aggressive.

They sell the BGVP DMS on their website and on Amazon at 159.

Its quite in line with the accessories included with other products by BGVP, so its not surprising there is no case.

Additional pictures are available in the related Headphones in Pictures article.

That grille appears to be real as the earphones offer no isolation, so it seems that the DMS are semi-open.

They are loosely triangular, but shaped so they adapt to the ears.

Theyre not heavily ergonomic like the Toneking T88K or the KZ ZSR, so they should be comfortable to a large amount of people.

They are not as comfortable as the DMG either, because their faceplate has clear-cut edges that prove way less comfortable than the DMGS rounded edges, though they can still be worn for a few hours before fatigue kicks in.

The BGVP DMS in fact offer but a slight reduction of the volume of sounds coming from outside, leaving you exposed to whatever is happening around you (for better or for worse).

They are not suited for use in noisy environments, unless one wants to crank up the volume to unsafe listening levels.

It is a twin cable configuration, as it has two cores, each with its own plastic sleeve, that are fused on one side.

The cable appears well-made, with the plastic sleeving that appears solid and resistant enough.

It has a few flaws, though: the earhook is not really tunable to ones ear shape, so it may end up pushing on the wrong part of the ear and cause discomfort (as is my case).

The cable is also a bit stiff, so it again is not really ideal for comfort in long listening sessions.

FLAC files in standard resolution (16 bit 44.1 kHz) made up the bulk of the music library being used.

Lower-than-average impedance and high sensitivity make the BGVP DMS especially easy to drive, so they need no amplification to sound well.

Soundstage is large not only because it is wide, but also because it is deep; in fact it sounds like a decently large three-dimensional space.

Where the DMS are not as impressive is imaging, which is only able to roughly place instruments on the stage but cant give them accurate placement in specific locations.

On the other hand, instrument separation is around average and leads to a clear picture of whats happening.

Depth is more than decent, as it goes down to 30 Hz staying audible and with a somewhat rapid roll-off below that.

Spinfit And Bgvp Dmg